School
By Poetry Issue 86
In twelfth grade our English class read Milton, Wordsworth, Samuel Pepys, Keats, and Shakespeare. We reluctantly took turns reading aloud, but besides that I don’t think anyone ever said a word, not even when Pepys described the plague and London’s doors marked with a red cross and “Lord have mercy upon us” written there. No,…
Read MoreThe Language of Flannelgraph
By Poetry Issue 69
1. A sheep and a goat is Jacob and Esau. A sheep and a goat and angel with trumpet is the end of things. Put the goat on the left, sheep on the right. A pair of animals means flood or garden—depends if you want to destroy it all or save it. Or name it.…
Read MoreA Conversation with Gina Ochsner
By Interview Issue 72
Gina Ochsner is the author of the short story collections The Necessary Grace to Fall (Georgia) and People I Wanted to Be (Mariner), as well as a novel, The Russian Dreambook of Color and Flight (Portobello/Houghton-Mifflin-Harcourt). Her awards include the Flannery O’Connor Award, Oregon Book Award, Pacific Northwest Booksellers Award, and fellowships from the National…
Read MorePlates from a Forgotten Book: The Paintings of Kim Alexander
By Essay Issue 81
IT IS A RARE mild September afternoon in Dallas when Kim Alexander sits me down. We are at her kitchen table, mere yards from her studio, which has spilled out of one spare bedroom into that familiar mid-mod home space, the den. In the regional vernacular for which we Texans are known but which we…
Read MoreThe Avant-Garde and Sacred Discontent: Contemporary Performance Artists Meet Ancient Jewish Prophets
By Essay Issue 83
I RECALL A SUNDAY MORNING when the church lectionary readings included a passage from the prophet Isaiah. The lay reader that morning was a thoughtful, older man dressed in a tasteful gray suit. Standing at the lectern, he opened the Bible and read: At that time Yahweh had spoken through Isaiah son of Amoz. He…
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